stelldichein
stelldichein
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asylum-art:

Henrique Oliveira
In the world of contemporary art, when you ask an artist about the messages that he/she is trying to convey, you are most likely to receive a pompous answer/just another boring cliché. This was not the case with Henrique Oliveira, the Brazilian emerging artist known for his spatial wooden pieces whose irregular forms devour large spaces which give you the sense that you are actually inhabiting someone’s body.  His answer had no unnecessary use of any conceptual lingo. ”I believe that the message is never art itself, but instead, the lack of a message is a characteristic that makes some creations interesting to me,” he says, adding ”my works may propose a spatial experience, an aesthetic feeling, a language development and many more nominations to refer to the relation it establishes with the viewer. But, any attempt to find a message would fail.”.
asylum-art:

Henrique Oliveira
In the world of contemporary art, when you ask an artist about the messages that he/she is trying to convey, you are most likely to receive a pompous answer/just another boring cliché. This was not the case with Henrique Oliveira, the Brazilian emerging artist known for his spatial wooden pieces whose irregular forms devour large spaces which give you the sense that you are actually inhabiting someone’s body.  His answer had no unnecessary use of any conceptual lingo. ”I believe that the message is never art itself, but instead, the lack of a message is a characteristic that makes some creations interesting to me,” he says, adding ”my works may propose a spatial experience, an aesthetic feeling, a language development and many more nominations to refer to the relation it establishes with the viewer. But, any attempt to find a message would fail.”.
asylum-art:

Henrique Oliveira
In the world of contemporary art, when you ask an artist about the messages that he/she is trying to convey, you are most likely to receive a pompous answer/just another boring cliché. This was not the case with Henrique Oliveira, the Brazilian emerging artist known for his spatial wooden pieces whose irregular forms devour large spaces which give you the sense that you are actually inhabiting someone’s body.  His answer had no unnecessary use of any conceptual lingo. ”I believe that the message is never art itself, but instead, the lack of a message is a characteristic that makes some creations interesting to me,” he says, adding ”my works may propose a spatial experience, an aesthetic feeling, a language development and many more nominations to refer to the relation it establishes with the viewer. But, any attempt to find a message would fail.”.
asylum-art:

Henrique Oliveira
In the world of contemporary art, when you ask an artist about the messages that he/she is trying to convey, you are most likely to receive a pompous answer/just another boring cliché. This was not the case with Henrique Oliveira, the Brazilian emerging artist known for his spatial wooden pieces whose irregular forms devour large spaces which give you the sense that you are actually inhabiting someone’s body.  His answer had no unnecessary use of any conceptual lingo. ”I believe that the message is never art itself, but instead, the lack of a message is a characteristic that makes some creations interesting to me,” he says, adding ”my works may propose a spatial experience, an aesthetic feeling, a language development and many more nominations to refer to the relation it establishes with the viewer. But, any attempt to find a message would fail.”.
asylum-art:

Henrique Oliveira
In the world of contemporary art, when you ask an artist about the messages that he/she is trying to convey, you are most likely to receive a pompous answer/just another boring cliché. This was not the case with Henrique Oliveira, the Brazilian emerging artist known for his spatial wooden pieces whose irregular forms devour large spaces which give you the sense that you are actually inhabiting someone’s body.  His answer had no unnecessary use of any conceptual lingo. ”I believe that the message is never art itself, but instead, the lack of a message is a characteristic that makes some creations interesting to me,” he says, adding ”my works may propose a spatial experience, an aesthetic feeling, a language development and many more nominations to refer to the relation it establishes with the viewer. But, any attempt to find a message would fail.”.
asylum-art:

Henrique Oliveira
In the world of contemporary art, when you ask an artist about the messages that he/she is trying to convey, you are most likely to receive a pompous answer/just another boring cliché. This was not the case with Henrique Oliveira, the Brazilian emerging artist known for his spatial wooden pieces whose irregular forms devour large spaces which give you the sense that you are actually inhabiting someone’s body.  His answer had no unnecessary use of any conceptual lingo. ”I believe that the message is never art itself, but instead, the lack of a message is a characteristic that makes some creations interesting to me,” he says, adding ”my works may propose a spatial experience, an aesthetic feeling, a language development and many more nominations to refer to the relation it establishes with the viewer. But, any attempt to find a message would fail.”.
asylum-art:

Henrique Oliveira
In the world of contemporary art, when you ask an artist about the messages that he/she is trying to convey, you are most likely to receive a pompous answer/just another boring cliché. This was not the case with Henrique Oliveira, the Brazilian emerging artist known for his spatial wooden pieces whose irregular forms devour large spaces which give you the sense that you are actually inhabiting someone’s body.  His answer had no unnecessary use of any conceptual lingo. ”I believe that the message is never art itself, but instead, the lack of a message is a characteristic that makes some creations interesting to me,” he says, adding ”my works may propose a spatial experience, an aesthetic feeling, a language development and many more nominations to refer to the relation it establishes with the viewer. But, any attempt to find a message would fail.”.
asylum-art:

Henrique Oliveira
In the world of contemporary art, when you ask an artist about the messages that he/she is trying to convey, you are most likely to receive a pompous answer/just another boring cliché. This was not the case with Henrique Oliveira, the Brazilian emerging artist known for his spatial wooden pieces whose irregular forms devour large spaces which give you the sense that you are actually inhabiting someone’s body.  His answer had no unnecessary use of any conceptual lingo. ”I believe that the message is never art itself, but instead, the lack of a message is a characteristic that makes some creations interesting to me,” he says, adding ”my works may propose a spatial experience, an aesthetic feeling, a language development and many more nominations to refer to the relation it establishes with the viewer. But, any attempt to find a message would fail.”.
asylum-art:

Henrique Oliveira
In the world of contemporary art, when you ask an artist about the messages that he/she is trying to convey, you are most likely to receive a pompous answer/just another boring cliché. This was not the case with Henrique Oliveira, the Brazilian emerging artist known for his spatial wooden pieces whose irregular forms devour large spaces which give you the sense that you are actually inhabiting someone’s body.  His answer had no unnecessary use of any conceptual lingo. ”I believe that the message is never art itself, but instead, the lack of a message is a characteristic that makes some creations interesting to me,” he says, adding ”my works may propose a spatial experience, an aesthetic feeling, a language development and many more nominations to refer to the relation it establishes with the viewer. But, any attempt to find a message would fail.”.
asylum-art:

Henrique Oliveira
In the world of contemporary art, when you ask an artist about the messages that he/she is trying to convey, you are most likely to receive a pompous answer/just another boring cliché. This was not the case with Henrique Oliveira, the Brazilian emerging artist known for his spatial wooden pieces whose irregular forms devour large spaces which give you the sense that you are actually inhabiting someone’s body.  His answer had no unnecessary use of any conceptual lingo. ”I believe that the message is never art itself, but instead, the lack of a message is a characteristic that makes some creations interesting to me,” he says, adding ”my works may propose a spatial experience, an aesthetic feeling, a language development and many more nominations to refer to the relation it establishes with the viewer. But, any attempt to find a message would fail.”.
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iheartmyart:

Exhibition, Diana Al-Hadid: The Fates at the Secession Museum, Vienna, Austria, September 11 – November 2, 2014
Photographs by Blair Prentice (iheartmyart)
______
See more on:♥ iheartmyart | facebook | twitter | instagram | flickr | mailing list | pinterest  
See more Diana Al-Hadid on iheartmyart.More Blair Prentice on iheartmyart.More photographs of exhibitions on iheartmyart.
iheartmyart:

Exhibition, Diana Al-Hadid: The Fates at the Secession Museum, Vienna, Austria, September 11 – November 2, 2014
Photographs by Blair Prentice (iheartmyart)
______
See more on:♥ iheartmyart | facebook | twitter | instagram | flickr | mailing list | pinterest  
See more Diana Al-Hadid on iheartmyart.More Blair Prentice on iheartmyart.More photographs of exhibitions on iheartmyart.
iheartmyart:

Exhibition, Diana Al-Hadid: The Fates at the Secession Museum, Vienna, Austria, September 11 – November 2, 2014
Photographs by Blair Prentice (iheartmyart)
______
See more on:♥ iheartmyart | facebook | twitter | instagram | flickr | mailing list | pinterest  
See more Diana Al-Hadid on iheartmyart.More Blair Prentice on iheartmyart.More photographs of exhibitions on iheartmyart.
iheartmyart:

Exhibition, Diana Al-Hadid: The Fates at the Secession Museum, Vienna, Austria, September 11 – November 2, 2014
Photographs by Blair Prentice (iheartmyart)
______
See more on:♥ iheartmyart | facebook | twitter | instagram | flickr | mailing list | pinterest  
See more Diana Al-Hadid on iheartmyart.More Blair Prentice on iheartmyart.More photographs of exhibitions on iheartmyart.
iheartmyart:

Exhibition, Diana Al-Hadid: The Fates at the Secession Museum, Vienna, Austria, September 11 – November 2, 2014
Photographs by Blair Prentice (iheartmyart)
______
See more on:♥ iheartmyart | facebook | twitter | instagram | flickr | mailing list | pinterest  
See more Diana Al-Hadid on iheartmyart.More Blair Prentice on iheartmyart.More photographs of exhibitions on iheartmyart.
iheartmyart:

Exhibition, Diana Al-Hadid: The Fates at the Secession Museum, Vienna, Austria, September 11 – November 2, 2014
Photographs by Blair Prentice (iheartmyart)
______
See more on:♥ iheartmyart | facebook | twitter | instagram | flickr | mailing list | pinterest  
See more Diana Al-Hadid on iheartmyart.More Blair Prentice on iheartmyart.More photographs of exhibitions on iheartmyart.
iheartmyart:

Exhibition, Diana Al-Hadid: The Fates at the Secession Museum, Vienna, Austria, September 11 – November 2, 2014
Photographs by Blair Prentice (iheartmyart)
______
See more on:♥ iheartmyart | facebook | twitter | instagram | flickr | mailing list | pinterest  
See more Diana Al-Hadid on iheartmyart.More Blair Prentice on iheartmyart.More photographs of exhibitions on iheartmyart.
iheartmyart:

Exhibition, Diana Al-Hadid: The Fates at the Secession Museum, Vienna, Austria, September 11 – November 2, 2014
Photographs by Blair Prentice (iheartmyart)
______
See more on:♥ iheartmyart | facebook | twitter | instagram | flickr | mailing list | pinterest  
See more Diana Al-Hadid on iheartmyart.More Blair Prentice on iheartmyart.More photographs of exhibitions on iheartmyart.
iheartmyart:

Exhibition, Diana Al-Hadid: The Fates at the Secession Museum, Vienna, Austria, September 11 – November 2, 2014
Photographs by Blair Prentice (iheartmyart)
______
See more on:♥ iheartmyart | facebook | twitter | instagram | flickr | mailing list | pinterest  
See more Diana Al-Hadid on iheartmyart.More Blair Prentice on iheartmyart.More photographs of exhibitions on iheartmyart.
iheartmyart:

Exhibition, Diana Al-Hadid: The Fates at the Secession Museum, Vienna, Austria, September 11 – November 2, 2014
Photographs by Blair Prentice (iheartmyart)
______
See more on:♥ iheartmyart | facebook | twitter | instagram | flickr | mailing list | pinterest  
See more Diana Al-Hadid on iheartmyart.More Blair Prentice on iheartmyart.More photographs of exhibitions on iheartmyart.
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takeovertime:

Flamingo Desk | Marco Guazzini
takeovertime:

Flamingo Desk | Marco Guazzini
takeovertime:

Flamingo Desk | Marco Guazzini
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whatisindustrialdesign:

nonconcept: Apartment Madeleine in Paris, France by Ateliers…: nonconcept:

Apartment Madeleine in Paris, France by Ateliers Michael Herrman. (Photography: Filippo Bamberghi)

posted by Whatisindustriald
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fashionfanclub:

loving the metallic jacket.
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bienenkiste:

Ph. Camilla Sverdrup-Thygeson 
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lamorbidezza:

Shoes at Chanel Haute Couture Spring 2014
lamorbidezza:

Shoes at Chanel Haute Couture Spring 2014
lamorbidezza:

Shoes at Chanel Haute Couture Spring 2014
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